Angela Lumicisi has her musical roots in Opera and Musical Theatre as well as Jazz and Cabaret. Her eclecticism forms a unique sound distinct only to Angela Lumicisi. Angela gives captivating performances and outstanding shows that leave her audiences in complete awe wanting to hear more.

Angela Lumicisi has left an impact on crowds around the country with her memorable performances of her own cabaret show We’ve Only Just Begun: The Music of the Carpenters which transports her audiences into exhilaration. This show created fast sell-outs in the Perth Fringe and Melbourne Cabaret Festivals and continues for its fourth year with a national tour in 2020.

Angela did a two-year season with the Australasian production of Wicked the musical which she understudied the role of Madame Morrible performing in the Auckland, Manila, Melbourne, Sydney, Brisbane and Perth productions.

Alongside her performing career Angela is an experienced vocal coach and public speaker who has utilised her performing and coaching skills to help empower others with their speech and presentation. She has developed two courses, the Ten Week Singing course for Actors, a course specifically designed to develop and enhance the confidence and skills actors need for singing auditions. And the Discover Your True Voice - Communicate with Confidence course designed to teach key elements to help break down the fear and anxiety of speaking in public into logical and simple concepts.

Other theatre credits include Titania in A Midsummer Nights Dream, the Melbourne Premiere as Lady Macbeth in Macbeth: The Contemporary Rock Opera as well as the return season in Brisbane, Dotty in Act a Lady, Scotty in Merrily we roll along, Charlotte in Flora the red Menace, Mehitabels Cohorts in Archy and Mehitabel, Celeste in Saturday Night, Rhoda in A New Brain, Soprano in Meraviglia, Sylviane in The Merry Widow,  Cio Cio San in Madame Butterfly, the 2000 Sydney Olympics opening of the Superdome, Mahlers Symphony of 1000, Carmina Birana and Faure’s Requiem.

Angela’s most recent performance was Frieda/Betty in Sunday in the park with George with Australia’s first and only Sondheim repertory company, Watch This.

Theatre credits

Classical

Film & TV